![]() ![]() ![]() The Stones kicked these kids’ asses with Emotional Rescue, Tattoo You and Undercover, going for lean guitar propulsion and twitchy beats at a time when other megastars got bogged down in synths and overdubs. It put them back on top - but for millions of American shagheads, Some Girls may as well have been a debut album from their new favorite band. From the funk strut of “Miss You” to the punk sludge of “Shattered,” these were songs that could only have been written by insanely rich rock stars in a pissy mood. Some Girls is where the whip came down, with Mick Jagger dishing about groupies, drugs, cops, hustlers, ex-wives, paternity suits and other joys of life in the Big Apple. The Stones seduced a new breed of Eighties parking-lot kids who didn’t give a crap about the band’s legacy but shook mullet when “She’s So Cold” or “Little T&A” hit the radio in between Journey and Foreigner. It kicked off a five-year run that’s ripe for re-appreciation: the Mall-Rat Years. I glanced into my teenage daughter’s bedroom one spring afternoon last year, expecting to find her staring absentmindedly. footage to tell stories of rescue operations by emergency services, as well as. ![]() He replied, “Because we couldn’t remember their fucking names.” Well argued, sir! Some Girls stands as the craftiest rock & roll comeback in history - after years of sucking in the Seventies, the Stones suddenly sounded like nasty bitches again. meaningful spaces that facilitate the emotional exploration of the self. Back in 1978, Keith Richards was asked why the Stones called their new album Some Girls. ![]()
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